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About

Douglas Westcott is a pseudonym for a well-known Bath businessman. The son of a Polish immigrant who fled to England after the First World War, Westcott was orphaned at 17, left school and started as a messenger boy for a property agency in London. His entire working life has been spent in the world of commercial property investment, culminating in the multi-million pound public company he founded.

Married with three children, he has lived in Bath for over 40 years and seen its development at first hand. A Director of its Theatre Royal in past years, he and his wife Elizabeth have become much involved with the homeless and youth of Bath, through local charities and The Brain of Bath Annual Quiz and the Wessex Property Club, both of which were founded by the author.

Bath Newseum interview with Douglas at the launch of An Unfolding Soul


From the Noticeboard

November 2025 From the author’s desk…

4 November, 2025 in From the author's desk

THE CLUB Ian was too excited to concentrate any longer. He closed the book and looked at his watch, 9.30 pm. Redman’s Landlord and Tenant could wait. Only another half…

October 2025 From the author’s desk…

2 October, 2025 in From the author's desk

THE THEATRE ROYAL, BATH ‘Welcome, most welcome,’ the man started with a flamboyant flourish of hands. ‘Theatrical life has always been precarious in Bath. Over 250 years ago, 257 to…

Reviews

‘I love Westcott’s writing style and enjoyed this continuing saga enormously’

Stan Frith

“Much enjoyed the evolving lives of the characters and can relate to the untold history of Bath amidst settings so familiar.”

Philip Jennings

“Just finished reading your second book An Unfolding Soul which I have enjoyed as much as your first. As a Bathonian of 77 years I find it so scary and truthful as we currently experience The Third Destruction of Bath.”

Malcolm Mitchell

‘An interesting and believable cast of characters move through the conflict of development versus conservation, still relevant in Bath today as the city continues to deal with how society and social mores have changed over the years.’

Kate Joyce

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